We managed to do an edition of two-color prints with a single block of shina by carving the second color on the reverse side. There was one student who had no prior printmaking experience even he came away with successful prints. She also demonstrated the proper way to hold the paper, set up one’s workspace, and sharpen cutting tools. She claims she can print an edition of 25 in one morning and I believe her. April says she can print faster with a baren than printmakers who use a press. Printing starts from a balanced standing position with a quick burst of energy using upper body strength. Printing is not done with a press, but by rubbing the baren, a light weight disk, on the back of the paper. More of April’s tips: Your work table should be about navel level. Blue Vortex, woodblock, (detail) © 2005 April Vollmer The best paper, naturally, comes from Japan. One of the secrets of the art is cutting a precise registration corner and landing pad for the printing paper. (Wikipedia)Īpril showed us master Ukiyo-e prints by the likes of Morunobu and Utamaro before demonstrating her technique. Ukiyo-e print by Utamaro, circa 1800, printed with mica background. McClain’s will send you a free sample find details here. If you have never used real shina ply, it is a joy to carve. April says the expense is due to the currency imbalance between the Japanese yen and the U.S. A small, 8 by 10 inch, piece of shina ply costs $6.35. The shina and carving tools are rather expensive. She uses the pigments from Art Guerra. For wood and carving tools she recommends McClain’s Printmaking Supplies. The wood we used was shina plywood, imported from Japan. 2 horizontal pattern prints based on nature © 2011 April VollmerĪpril suggests beginners might start printing with tube watercolors, but a more economical color can be had by mixing pigments. The pigments are water-based and do not stain clothes like oil-based relief printing inks. I learned there is no need to dress like a hobo to print Moku Hanga. I came to class dressed in my ink-stained black shirt and raggedy painting jeans. I am used to the down and dirty printing of Oaxaca or Tom Huck’s Evil Prints. Moku Hanga is nothing like my prior printmaking experience. “Migration” Moku Hanga print © 2008 April Vollmer She has an extensive gallery of her prints online at. I know a bit about Japanese prints, but had never tried my hand at the traditional Moku Hanga woodblock printing technique. April, a great teacher and printmaker, has travelled to Japan to perfect her skills. KU Prof Elaine Cunfer and I took the class along with five other students. Antique Japanese Woodblock Print Hiroshige Meiji Commemorative Edition ca.April Vollmer demonstrates how to carve registration notches on woodblock.Īpril Vollmer recently taught a two-day Moku Hanga workshop at the Printmaking Center of New Jersey.The seller is “en-corporation” and is located in HONSHU. This item is in the category “Antiques\Asian Antiques\Japan\Paintings & Scrolls”. P” is in sale since Thursday, December 13, 2018. The item “En0817cyaSw11Japanese framed woodblock print Miyamoto Shufu Winter Coming A. Chosen carefully, we would guarantee these are handwriting (not printed) and the original. The actual size, color or appearance may vary because of the lighting effects. Since it is an old item, please look at the pictures closely and judge. Please understand that the item has stains and wrinkles, but it is vintage. Please let us know your TELEPHONE NUMBER that we write on the postal document and invoice. Please do not hesitate to ask us for the best price and any other questions. Size = 50 x 65 cm Art Work = 28 x 43 cm Weight = 1970 g (packing material is not included). Material = Paper(acrylic in frame) Condition= Normal(damage on acrylic). Miyamotos works can be found in collections around the world, such as the Museum of Fine Arts Boston and the Auckland Museum New Zealand. He uses gentle hues and extensive bokashi, a technique of color gradation, to achieve romantic atmospheres. He began his exploration of printmaking through lithography and silkscreen, yet found his medium as a woodblock print artist. He originally studied oil painting with Ioka Osamu. Known for his dreamlike landscapes, he is a leading contemporary woodblock printmaker. Thank you very much for your kind understanding. One exception to it would be when customers take items without written statements of guarantee to publically qualified appraisal authorities and when they are clarified as forgeries by them (not based on customers’ own opinions or by third parties they choose). We collect and sell valuable items which we confidently recommend at fair prices. Before purchasing our item, please read and understand our business policy and business approach below.
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